A Look At Picasso :: essays research papers

Picassos Guernica is unique and unlike any other photograph or movie of a historical war scene. Historical photographs show scenes and inhibit moments in time, but when viewing them an intangible wall exists between the watcher and the photograph. The difference between photographs and original paintings is that the painting allows the knockout to break finished the wall and actually experience the feelings and emotions expressed in the painting. We only strike what we look at and to look is act of choice. (Ways of Seeing 8) The lensmans way of seeing is reflected in his choice of subject, they are demonstrate you what they want you to see. (Ways of Seeing 10) Photographs are taken for a indicate there are many other angles or other scenes a photographer back tooth choose from and it is up to the photographer to decide which unmatched the viewer sees. In essence, the viewer only sees one aspect of the kitchen stove captured with the lens of the tv camera. For example, whe n only the head of a figure is visible in a picture which appeals to visual thinkingas distinguished, for example, from a news program photograph which many make use of the sense of sight further for the purpose of informing us of what went on in a true placethat figure is always to be seen as being incomplete. (Arnheim 11) The spirit cannot continue beyond the borders of the photograph and the wholeness of the picture is lost.In a painting, the artist has painted all of the elements to be seen simultaneously. The spectator may occupy time to examine each element of the painting but whenever he reaches a conclusion the simultaneity of the whole painting is here to suppress or quality his conclusion. (Ways of Seeing 26) A painting maintains its accept authority, the painting does not capture momentary appearances it creates its own. In doing so the viewer becomes a part of the painting, when the viewer steps away from the painting he is no longer an influence or a part of the painting. Paintings can not be seen in two places at the same time, when the camera reproduces a painting, it destroys the uniqueness of its image. (Ways of Seeing13) The uniqueness is destroyed because the painting now travels to the spectator rather then the spectator to the painting. The viewer, views it in his or her surroundings and it is influenced by their surroundings.