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Sunday, February 10, 2019

The Mirror of Time and Memory. :: Essays Papers

The Mirror of season and Memory.Live in the house-and the house will stand.I will remember up any century, Go into it and build myself a houseWith bring up blades like timber propsI help up both day that made the past,With a surveyors chain I cake timeAnd traveled through as if across the Urals.I only need my immortalityFor my blood to go on flowing from age to age.I would readily pay with my lifeFor a safe place with uniform warmthWere it not that lifes flying needle leads me on Through the world like a thread.Arseniy TarkovskyThe records of Andrey Arsenevitch Tarkovsky fall into the separate writing style of cinematic creations they are more(prenominal) than drama or psychological thriller, more than philosophical cinema. Although Tarkovskys work has been deeply influenced with such prominent film directors as Kurosawa, Bunuel or Antonioni, the poetry of his father, Arseniy Tarkovsky, Boris Pasternak and many a(prenominal) other Russian poets and writers, his films cov er to form something completely unique to the mind of their director, convey a distinct psychological message. His cinematography is a celebration, a theatre of imprinted time, trapped with the estimable techniques of the plot-creating and camera usage of the director. As if in the Zone of his Staler the art of Andrey Tarkovsky freezes the moment, the puff out of time, enclosed into almost sculpture-like solid creation that opens up to the viewer its nostalgic breeze. The time exists, it crystallizes in form of faerie, elfish arabesque figures and characters and yet it evaporates filling the seat with a sense of solitude and sorrow for the past.Tarkovskys film Zerkalo or otherwise known as Mirror is a story of the valet de chambre life it is not quite a celebration of it but quite an a depiction of the web of the human senses. It is an autobiographic tribute to his addicted by her husband during the war years mother, filled with the feelings of grief and recreation with her zealous self-sacrifice for the sake of her children. The narrator, or perhaps Tarkovsky himself, is trying to still his guilty with indifference and scorn conscience with the memories of his childhood and attempts to relive or even incarnate the experiences of his past. The problems of the past are reflected and repeated in the present. store Proust, Tarkovsky describes the effect of finishing Mirror Childhood memories which for years had given me no peace suddenly vanished, as if they had melted away, and at last I stopped dreaming about the house where I had lived so many years before .

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